American Pie (1999)
A fog with a chestnut-keep an eye on listen to, “American Pie” has but a single purpose — to be the king of Rabelaisian-out of pocket comedy — and will happily wear that crown until another membrane sets out to steal it, say, around this interval next year. Crude in more ways than one, this cheesy homage to a square of horniness Austin Powers could sole presume will be a dream silent picture for many a teenage boy; so thoroughly does it deed the comic possibilities of lecherous adolescence and the critical state to register. Crucially, howsoever, and unlike the leering “Animal House”-”Nerds” sex farces of yore, pic gives plentiful ever to the female p.o.v., which thinks fitting translate into prodigality of extra enrich oneself for this ultra-commercial Widespread delivering, which will be the must-see comedy for auds in their teens and early 20s wholly the mid-summer. But moderately older viewers who embraced last summer’s comparable, but infinitely more imaginative fog, “There’s Something About Mary,” are acceptable to feel more out of the loop with this story.
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Credited to a single screenwriter, first-timer Adam Herz, but feeling much more like the result of a bunch of guys sitting around topping each other with the most outrageous sex shenanigans they can think of, pic gives an idea of what’s to come with a teaser sequence in which high schooler Jim (Jason Biggs) is caught by his parents pleasuring himself in a tube sock while watching a porno tape.
The nothing-fancy, just-get-to-the-point approach continues throughout, and follows neatly off the simple premise: Four semi-out-of-it seniors, sick of their virginity and determined not to carry their burden with them to college, resolve to divest themselves of their innocence by the time they graduate in three weeks — and it has to be for real, not purchased.
In addition to Jim, who’s something of an oaf of no particular distinction, the buddies include Kevin (Thomas Ian Nicholas), who looks to be in the best position to get over since he’s already reached third base with his blond g.f. Vicky (Tara Reid); skinny Finch (Eddie Kaye Thomas), who has no apparent prospects, and Oz (Chris Klein), whose advantageous great looks and jock status are mitigated by an underlying propriety and shyness.
Galled by claims of sexual conquest by their dweeby pal Sherman (Chris Owen), the guys feverishly devote themselves to their task. Kevin quickly studies up on oral sex in order to break down whatever defenses Vicky has left against going all the way, the word is spread around school that shrimpy Finch is decidedly unshrimpy where it counts, and Jim places all his chips on his chances with an exotic Czech student, Nadia (Shannon Elizabeth); a slapstick bedroom encounter between these two, which is witnessed by the entire student body via computer, is a particularly wild comic highlight.
For his part, Oz unexpectedly falls for an appealing but prim-looking girl, Heather (Mena Suvari), who sings in glee club, and finds himself going to surprising lengths to win her over. It all comes down, of course, to prom night, and film’s climactic 20 minutes are devoted to the sometimes very funny but conventionally satisfying ways in which all the characters — men and women — end up getting what they want or need.
At every turn, you can sense Herz and tyro director Paul Weitz, who wrote last year’s “Antz” with brother Chris, who co-produced here, trying to figure out how they can one-up films that have come before and set new standards of vulgar hilarity. Last year’s semen in the hair has been replaced by semen in someone’s beer, the unwitting e-mail sex (the only scene featuring nudity) is an elaboration of the Hot Lips loudspeaker scene in “MASH,” and a delightfully unanticipated older woman-younger man encounter tips the hat to “The Graduate.”
Film succeeds in its elementary mission due to its relentless bluntness and fundamental realism about teenage human nature. The brazen, no-b.s. attitude about what’s on everyone’s minds will give it major scoreboard with its intended audience, and the multi-faceted ending pleases in the way it begins leaving the obsessions of high school behind and looks ahead to a more interesting future.
Largely no-name cast is game and gamey. Klein, discovered in “Election,” stands out once again here as the sensitive stud; hunkier and even better looking than Keanu Reeves, the guy’s got “movie star” written all over him, and his open, fun personality makes him, like Gary Cooper, the rare female heartthrob that guys love to watch, too.
Suvari brings an unconventional charm to the role of his observant g.f.; Alyson Hannigan is a scene-stealer as the chatty, apparent dim bulb with whom Jim hooks up for the prom; Natasha Lyonne gets good mileage out of her few scenes as the advice-dispensing, most experienced girl in school; and Elizabeth will set thousands of boys drooling as the statuesque Euro who could no doubt teach the whole graduating class a few tricks.
Set in Michigan but shot mostly around Long Beach, film is technically very low end except for the jam-packed soundtrack of 30-plus tunes. At the screening caught with a recruited audience, theater house lights were ruinously kept on at a very bright level during unspooling to accommodate videotaping of audience reactions until repeated complaints finally caused them to be turned down, then off.
